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I envision this timing likely established during the Palladium era yet I haven't confirmed that. Eddie Torres started instructing and popularizing this timing beginning in the 1980's, from what I understand. He was mentored by the late June Laberta, a ballroom dance educator, that helped him establish his method and timing.

The story I'm consistently told below, that still needs further examination, is that as salsa started getting to brand-new target markets beyond the Caribbean and New York City, it was much easier and extra intuitive to educate social outsiders to dance On1 rather than On2. This story doesn't account for the fact that I've heard Rueda de Casino was originally danced a tiempo On3 in Cuba.

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Salsa On1 is simply among numerous salsa timings you can dance to and it is one of the most common timing you'll find on the planet today. Salsa On1 timing interpretation: "On1" indicates you start dancing on the first beat of bench of music the 1. Your break actions (direction changes) get on beats 1 and 5.

The exceptions I've discovered up until now, where On2 is most typical, would be around New York and in South Korea (Bachata Dance San Francisco). I'm sure there are other locations that dance primarily On2 yet I have not danced in every nation! If you're not sure what timing is most typical where you live, ask your neighborhood dancing studio

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When somebody states "I dance salsa On1" they probably indicate "I dance linear style salsa On1" (although you can dance any type of style of salsa On1, people usually indicate direct style). Don't worry if you've claimed these things before, it's all good we all have! The important point is to keep in mind there's a difference in between design and timing and grow your understanding so you can be much more precise when speaking about salsa with your buddies.

It connects perfectly with the phrasing in the music, specifically the piano, and other percussion instruments like the cow bell and giro. Timing and design are two different points, so different the concepts when you speak concerning salsa with your buddies. No matter of what timing is most common in your region of the globe, remember you can practically dance any kind of design of salsa to any timing explore and enjoy!

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Although there is an initial mambo dancing that came from Cuba and afterwards infected Mexico and New York in the 40s and 50s, nowadays when somebody states "I dance mambo" they mean salsa On2, which is various than the original mambo dancing. The sporadic free-from actions of the original mambo were danced solo.



As the dance started to spread, On1 timing started to come to be preferred. Salsa On2 meaning: "On2" suggests you begin dancing on the first beat of the bar of music the 2.

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Historically those are the instruments that a child cubano professional dancer gotten in touch with and that was passed on to mambo and salsa. A lot of professional dancers take pleasure in dancing On2 for the diverse methods you can attach to the music. This is the initial child cubano and mambo timing. Son cubano is the songs and dance that preceded mambo and salsa.

It links well to the clave, bass and conga - Salsa Dance San Francisco. Cha-cha is much like dancing On2 contratiempo however you include the three-way action on 4 and 8. Danced to the same beats as On1, your break steps are currently on 2 and 6, which alters the feel of the dancing.

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This timing is almost similar to contratiempo On2 but the actions that are typically on 4 and 8 are on 4. It's almost like a timing in between a tiempo and contratiempo.

5 rather of 5) you're dancing this syncopated timing. In reality it appears it's frequently danced as kind of a "blunder" for anyone dancing the previous 2 timings.

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No matter, people speak about i was reading this it so below it is (https://www.merchantcircle.com/blogs/dance-fridays5-san-francisco-ca/2024/1/-Your-Ultimate-Dance-Destination-with-Dance-Fridays/2631017). As discussed earlier, this was the very first analysis of dancing on clave (kid clave), where the Puerto Ricans would straighten their front brake with the 2-side of the clave rhythm while dancing On2 contratiempo. They described it as "dancing on clave" as it was prior to people referred to it as "dancing On2." The idea is to line up as many actions of your standard as feasible with the strikes of the child clave.

Things about songs and dancing is that there is no right or incorrect. There is simply interpretation. You can dance on any kind of timing you such as! Normally, individuals have located a means to dance on practically every timing feasible to child and salsa music. Individuals dance On3 for the exact same reason you dance On1 since it stresses the solid beats of 1-3-5-7.

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Allow's consider the beats you dance On1 to: -2-, -6- (solid beats remain in bold) Allow's take a look at the beats you dance On3 to: -4-, -8- (solid beats remain in strong) Notice exactly how the strong beats are spaced precisely the very same for On1 and On3? All you do is begin stepping On3 as opposed to On1.

That's why dance On3 is so usual in Latin America. People either Attempt to dance On1 but begin tipping On3 by mishap and it functions out simply fine, or They don't recognize much regarding timing and are just analyzing what they listen to in the music, based on their experience expanding up in a society with salsa.

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